Evidences, Transformations and Displacements of the Body in Dystopian Societies: A Reflection From the Artistic Production of Libia Posada
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This work is licensed under a Creative Commons Attribution 4.0 International License.
Esta obra está bajo licencia internacional Creative Commons Attribution 4.0 International.
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Abstract
The purpose of this writing is to present sections of the results obtained in the research process of my master's thesis entitled Lessons in female anatomy: A preliminary reading of the work of Libia Posada 1998-2014. I have grouped the results into three sections: A perverse target, Transformations and Displacements of the Body in Dystopian Societies and Sensitive Evidence. e conceptual axes that guide the development of the research are an introduction to the life and work of the artist; a description of her works in conceptual and formal terms, based on the methodologies of art history with a feminist perspective, and the development of reflections on the place of women in her artistic work. Axes that continually dialogue with an interview with the artist, which allows a greater approach and understanding of her work. The above is based on the hypothesis that experiencing life from a body configured as feminine, with a subjective experience, affects artistic production, making evident feminine elements or concerns, feminist or not, that may be characteristic in art made by women.
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