The category of the hero as a pretext for the relational analysis of the novel "Esperanto" by Rodrigo Fresan and the film "Tango feroz: the legend of Tanguito" by Marcelo Piñeyro

Abstract

This paper presents a relational analysis between two aesthetic tendencies in the world: cinema and literature, from the analytical perspective microtextual. This interpretation is done through deconstruction of the protagonists in both works (literary and film). First, it defines the theme of the novel and movie, then goes on to describe the binding characteristics of these two aesthetic texts, by category of the tragic hero, in this case is part of the socio-critical to analyze the protagonists of stories, showing their relationships and families. Secondly generally recreates the cultural history of Argentina in the sixties and nineties to describe the importance of rock in this particular context and, finally, it refers to the reception of the film and the novel in the middle. It also concludes by pointing out the importance of studying artistic productions from different angles through innovative proposals to raise awareness of the cultural activity in the region.