Reflexivity, intersectionality and decoloniality in the ethnographic films of the Pasolini en Medellín collective about the black diaspora

Abstract

This article explores the archive of the Pasolini Collective in Medellín,This article explores the archive of the Pasolini Collective in Medellín,Pem ―organisation of collaborative research and creation processeswith marginal communities―, on the black diaspora and exposeshow the violence reconstructed in these ethnographic fictions can bemade visible and analyzed in an intersectional way to see inseparable condition of different forms of oppression. Although these films ope-rate as devices of empowerment and emancipation through which the participants can to objectify the violence they resist, this qualityis enhanced in exhibition settings where discursive analyzes allowrecipients to continue the task of decolonizing life. daily and thought.