The post-crisis relational art scene Spaces and experiences in the city of La Plata - Argentina

Abstract

In this article we want to ask ourselves about how the artistic spaces that emerge in post-crisis times, new modes of collective organization from where creative, labor, resistance and re-existence projects are articulated. In this case, the study presented focuses on the organizations of artists that are the product of the political, economic, social and institutional crisis that had its highest point in the popular revolt of December 2001 in Argentina and the scope we can measure to date. We believe that the questions and methodology of this research can help us understand the current scene and, at the same time, contribute to thinking about future post-pandemic events covid19, while we are witnessing the emergence of new scenes that configure new artistic practices and new modes of political subjectivation that impact contemporary aesthetic, epistemic and political experiences.